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Monthly Archives: January 2010

  • Review: Whim W’him—3 Seasons

    Whim W'Him's 3Seasons, Kaori Nakamura

    Whim

    Olivier Wevers and his newly formed company, Whim W’him have done what no other dancer, choreographer or company has done before. The Seattle-based tour de force has shattered the glass barricade that once stood as the dividing wall between the world of ballet and the realm of modern dance, ushering in a new era of collaboration and artistry.

    Whim W’him’s sold-out performances at On the Boards this past weekend packed an intoxicating punch of sound, light and movement. The triple bill featured Wevers previous works, X-Stasis (PNB’s Choreographer’s Showcase 2006) and Fragments (Spectrum Dance Theatre 2007), as well as the world premiere of 3 Seasons, Wevers first major collaborative effort.

    X-Stasis

    X-Stasis is comprised of 5 couples making a unique statement about their world and their relationship to one another. Standouts from this performance include Jonathan Poretta and Lucien Postlewaite’s pas de deux which sizzled with poetic tension. Their execution was both complimentary and contradictory; a raw, edgy rendition of the proverbial yin and yang.

    Whim W'Him's X-Stasis, Jonathan Poretta & Lucien Postlewaite

    Whim

    Chalnessa Eames dazzled in a delightful piece that felt a bit like an avant-garde rendition of Coppelia. Let’s just say her partner, the helpless mannequin, was no match for her seductive charms!

    Kaori Nakamura and guest artist, Karel Cruz (PNB Principal Dancer) were utterly spectacular. Their pairing was exuberant, crisp and well-balanced; the perfect blend of power, delicacy and joy.

    Fragments

    Fragments begins with a sweeping aria playfully mimicked by an amusing pair of friends. Kelly Ann Barton’s (Spectrum Dance Theater) and Vincent Lopez’s movements were light, fluttering, and beautifully in sync. Together they encompassed all that is childlike and well--whimsical, from their “twittering” hip rolls, to their playful dashing about the stage.

    Whim W'Him's Fragments

    Whim

    Following the playful antics, Vincent Lopez gave a commanding solo performance as a tortured soul, longing and yearning to be free. Moving effortlessly through a series of well-crafted poses, Lopez is transformed into a living sculpture, relishing in its temporary freedom. Costumes by Christine Joly de Lotbiniere provided a delicious hint of Baroque flair, while Michael Mazzola’s thoughtful lighting cast the entire piece in a distinct, Renaissance glow.

    Last but not least, was 3 Seasons.

    Never have I seen such a decisive take on our modern world that fused together the elements of style, wit, humor and hope so beautifully.  In fact, I have a feeling that this piece will serve as the springboard by which all other collaborative efforts will be judged, and provide Whim W’him with a prominent position in the annals of dance history.

    The musical score consists of Vivaldi’s Four Seasons paired with a live corresponding movement by Byron Au Yong, which was nothing short of perfection. The tinkling of a toy piano, the hum of the violin and gentle percussion created a fun, exciting, youthful energy.

    Designer Michael Cepress’ vision of pairing vibrant splashes of red on ruddy, human earth tone canvasses provided the perfect backdrop for this piece. The use of his re-designed sculptural collars, wire hanger skirts, and sullied leotards made for a stunning artistic display.

    3Seasons

    3Seasons

    Jim Kent’s portrayal of the covetousness of human nature was thrilling. The object of his desire changes with whatever is put before him; a pillow, a lamp, a keyboard to finally a bird cage, which has to be placed on his head because there’s no more room in his hands. Kent—like society itself—is never content with what he already has, and is continuously seeking, grasping, and vying for more. The act was played for humor which the audience responded with more than a few “been there, done that” laughs.

    Kaori Nakamura is used, abused and finally discarded and yet—she still manages to come out looking like the victor. Her stage presence leaves its own indelible mark of beauty behind.

    Chalnessa Eames was effervescent and sensual. Vincent Lopez was completely brilliant and charming. Jonathan Poretta and Lucien Postlewaite were riveting, powerful, dominating, and fierce.

    Ty Alexander Cheng and Kylie Lewallen were saucy, flirty and breathtaking. Their endless kiss reminded me of a pair of butterflies; lips locked with wings (arms) continually unfurling yet never intertwining.

    Hannah Lagerway and Lucien Postlewaite writhed about in geometric splendor. I was impressed with Postlewaite’s skillful control and Lagerway’s incredible range. Indeed, her presence within this company is the icing on the cake.

    With everything this company has going for it—excellent dancers, respected Artistic Director, dedicated fan base, and a growing list of collaborators—Whim W’him stands poised on the edge of a divine precipice, ready to be launched into the stratosphere.

    Congratulations to you, Mr. Wevers and to your talented team of artists.

    Viva Whim W’him!

    by Denise Opper

    Media Relations:  Vala Dancewear / Class Act Tutu

    All photos © LaVie Photography.  For more amazing photos, visit the LaVie photo blog.

  • Book Review: The Creative Habit by Twyla Tharp

    At first glance, the title may evoke images of yet another glorified self-help book. But The Creative Habit goes beyond the relative scope of creative applications. Author and world famous choreographer, Twyla Tharp walks readers through the creative process step-by-step, revealing once and for all, that creative spark that lies deep within us all...

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    Tharp believes that creativity isn’t just for the special or gifted artist but rather “It’s for businesspeople looking to close a sale; it’s for engineers trying to solve a problem; it’s for parents who want their children to see the world in more than one way.” (Quote: The Creative Habit Chapter 1.) Tharp also repeatedly states that creativity is “augmented by routine and habit.”

    To this end, The Creative Habit provides a fascinating glimpse into the lives of the world’s most influential people, both in and out of the dance world. Readers are encouraged to delve deeper into the topic by answering several questions at the end of each chapter. These questions aren’t simply random or arbitrary, but are rather carefully constructed—just as one of Twyla’s own works – to teach readers how  to apply the creative habit to their daily lives.

    Personal Thoughts & Opinions

    While reading this book, I became delightfully aware at just how brilliant Ms. Tharp truly is. She’s not only a supremely talented dancer/choreographer, but is also a highly educated, deeply feeling, inherently complex, yet surprisingly simple woman. Her insights, mannerisms, and powerful work ethic are inspirational and challenging at the same time.

    The Creative Habit should be considered the required textbook for anyone who is willing to pursue excellence in all of their personal, business, educational, and artistic pursuits.

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