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Tag Archives: Batkhurel Bold

  • Review: Pacific Northwest Ballet's Nutcracker

    Snow on stage!  Pacific Northwest Ballet dancers in the Kent Stowell/Maurice Sendak Nutcracker.  Photo © Angela Sterling

    Snow

    For more than 50 years, Tchaikovsky’s “The Nutcracker” has been an American holiday tradition. The Pacific Northwest Ballet continues to make their exclusive Stowell & Sendak Nutcracker production a warm and delightfully magical onset to our wintry festivities by exuding the finest artistry from the scenic and lighting design to the richly animated choreography, and of course, the musical compositions performed by sixty-five of the most talented musicians. Nevertheless, what made this story come to life were the dancers and their interpretation of ETA Hoffman’s characters.

    The cast for the opening night of PNB’s Nutcracker included a number of the company’s finest dancers along with several of its own Pacific Northwest Ballet School students. The audience reveled in watching the young students inherit the stage of McCaw Hall, some for the first time. The innocent and uninhibited way they captured the essence of Hoffman’s characters was remarkable and enchanting.

    Among the professional cast, Batkhurel Bold’s representation of the Prince is passionately strong and daringly dynamic. Perfectly paired with Bold was Carla Körbes. She captivated our hearts with her exquisite and gentle adaptation of Clara. Olivier Wevers delivered an outstanding performance as his magnetic personality encapsulated that of Drosselmeyer/Pasha. Ariana Lallone was brilliantly flawless in her transcendental presentation of the Peacock. Carrie Imler was powerfully breathtaking in Waltz of the Flowers. Her performance was an absolute treasure to behold. PNB’s company of dancers executed each step with such vitality and sincerity, the evening concluded with a blissful aspiration for more.

    Pacific Northwest Ballet principal dancer Carla Körbes as Clara in PNB's Stowell/Sendak Nutcracker.  Photo © Angela Sterling

    Pacific

    Pacific Northwest Ballet’s vivid adaptation of this childhood storybook re-establishes a dreamlike imagination in audience members of all ages. Performances will run from November 26th until December 27, 2010. Come and enjoy the magic of Stowell & Sendak’s Nutcracker.

    For more information and to purchase tickets, please visit PNB.org.

    Review By: Amanda Calderon

    Vala Dancewear / Class Act Tutu Associate

  • Review: Pacific Northwest Ballet's Coppelia

    Pacific Northwest Ballet pulled out all the stops with their latest production of George Balanchine's, Coppelia.  This fantastic production features all new lavishly designed (read: gorgeous!) sets, to die for costumes, and of course the high-caliber artistry that PNB is world-famous for.

    Swanilda/Coppelia

    Saturday's matinee featured Lesley Rausch as Swanilda/Coppelia, Jerome Tisserand as Franz, and Olivier Wevers as Dr. Coppelius.  Right off the bat, I have to give serious applause to Rausch for her outstanding interpretation. She not only delighted everyone in the audience with her arrogance and saucy attitude, but she transported us into the heart of her character. Sure, Swanilda isn't the nicest of young ladies, but her love for Franz is evident, even when faced with the sting of rejection.

    Pacific Northwest Ballet soloist Lesley Rausch with PNB School students and PNB company members in PNB’s premiere production of Coppélia: Choreography by Alexandra Danilova and George Balanchine © The George Balanchine Trust (after Marius Petipa). Photo © Angela Sterling

    Pacific Northwest Ballet soloist Lesley Rausch with PNB School students and PNB company members in PNB’s premiere production of Coppélia: Choreography by Alexandra Danilova and George Balanchine © The George Balanchine Trust (after Marius Petipa). Photo © Angela Sterling

    Franz

    Jerome Tisserand's Franz was perfectly executed. Like Rausch, he had a way drawing me in, making me feel almost as fed up with Swanilda's antics as he was. His attitude was a perfect blend of inflated ego meets young playboy looking for love.  After discovering that his love interest is only a doll, one would expect Franz to act a bit more sheepish over his foolish behavior. (I mean, seriously!) However, Tisserand remains true to character and Franz casually glosses over that "minor faux pas" with a sudden profession of love for Swanilda, which of course, she accepts.

    Dr. Coppelius

    Olivier Wevers deserved the standing ovation he received for his performance as the highly eccentric, slightly creepy, Dr. Coppelius. How it is Wevers can pull such multi-faceted characters out of his back pocket is beyond me! His Dr. Coppelius was a thrilling "yin and yang"; an absent-minded and lonely old man, whose walking stick doubles as a handy weapon against "the wild hooligans" of the town. But underneath that "grumpy old man" veneer lurks a borderline-fiendish soul.

    Honorable Mentions

    Act three's splendid cast also deserves special mention. I was most impressed by Carrie Imler's "Dawn" and Sarah Ricard Orza's "Prayer". These dancers gave equally passionate and exquisite performances. Imler was a vision of dazzling sunlight--bright, confident and striking.  Ricard Orza danced "Like a fairy tale princess!" (to quote the little one sitting next to me) with her flowing port de bras and delicate phrasing. The action-packed "Discord and War" featured Batkhurel Bold and Lindsi Dec entering the stage like wild flashes of lightning dressed in silvery armor. As always, the power behind these two striking  dancers takes your breath away. Their amazing turns and leaps were all done whilst holding long spears--none of which whacked anyone else nor made kabobs out of their thighs. (An acrobatic feat of epic proportions, especially when you consider how clumsy the rest of is--read: yours truly!--would be in the same situation.)

    PNB's Coppelia is filled with good natured humor, an outstanding cast, and delicious imagery. If you haven't yet made your way to McCaw Hall to catch the "Happiest Ballet on Earth!", I would highly suggest that you do so. Like...today!

    Coppelia runs from June 3rd-13th. Tickets are available by visiting PNB.org.

    By Denise Opper

    Media Relations

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