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Tag Archives: Carla Körbes

  • Review: Pacific Northwest Ballet's Nutcracker

    Snow on stage!  Pacific Northwest Ballet dancers in the Kent Stowell/Maurice Sendak Nutcracker.  Photo © Angela Sterling

    Snow

    For more than 50 years, Tchaikovsky’s “The Nutcracker” has been an American holiday tradition. The Pacific Northwest Ballet continues to make their exclusive Stowell & Sendak Nutcracker production a warm and delightfully magical onset to our wintry festivities by exuding the finest artistry from the scenic and lighting design to the richly animated choreography, and of course, the musical compositions performed by sixty-five of the most talented musicians. Nevertheless, what made this story come to life were the dancers and their interpretation of ETA Hoffman’s characters.

    The cast for the opening night of PNB’s Nutcracker included a number of the company’s finest dancers along with several of its own Pacific Northwest Ballet School students. The audience reveled in watching the young students inherit the stage of McCaw Hall, some for the first time. The innocent and uninhibited way they captured the essence of Hoffman’s characters was remarkable and enchanting.

    Among the professional cast, Batkhurel Bold’s representation of the Prince is passionately strong and daringly dynamic. Perfectly paired with Bold was Carla Körbes. She captivated our hearts with her exquisite and gentle adaptation of Clara. Olivier Wevers delivered an outstanding performance as his magnetic personality encapsulated that of Drosselmeyer/Pasha. Ariana Lallone was brilliantly flawless in her transcendental presentation of the Peacock. Carrie Imler was powerfully breathtaking in Waltz of the Flowers. Her performance was an absolute treasure to behold. PNB’s company of dancers executed each step with such vitality and sincerity, the evening concluded with a blissful aspiration for more.

    Pacific Northwest Ballet principal dancer Carla Körbes as Clara in PNB's Stowell/Sendak Nutcracker.  Photo © Angela Sterling

    Pacific

    Pacific Northwest Ballet’s vivid adaptation of this childhood storybook re-establishes a dreamlike imagination in audience members of all ages. Performances will run from November 26th until December 27, 2010. Come and enjoy the magic of Stowell & Sendak’s Nutcracker.

    For more information and to purchase tickets, please visit PNB.org.

    Review By: Amanda Calderon

    Vala Dancewear / Class Act Tutu Associate

  • Love, Passion and Dedication: Olivier Wevers & Lucien Postlewaite

    Just like Valentine's Day, the dance world is all about love, passion and dedication. From the gorgeous costumes to the sumptuous sets, to the swelling orchestral music to the supreme dedication to one's craft, everything is cloaked and bejeweled in love.

    In our first Valentine's Day segment, we chatted with the talented Seth Orza and Sarah Ricard Orza of Pacific Northwest Ballet. Next up in our special Valentine's Day feature, we'll chat with PNB principal dancer (and Whim W'him Artistic Director), Olivier Wevers about his marriage to fellow PNB principal, Lucien Postlewaite.

    Olivier and Lucien met while working at PNB. The couple later tied the knot in Santa Cruz, CA on November 2nd, 2008.

    Lucien Postlewaite & Olivier Wevers  Wedding Day, November 2, 2008

    Like other dance marriages, this handsome couple doesn't have to deal with the stress of trying to balance a career with spending quality time with their spouse. "Our schedule is pretty similar, which helps with spending time together," says Olivier.

    Additionally, Wevers cherishes the many emotional benefits a relationship with a fellow dancer brings. "We understand and support each other, and know when the other needs a little support or criticism. It {the dance world} is a very mental world...it plays with your insecurities and your mind. Having a spouse that deals with similar issues really helps. Also, we push each other as artists. We have both the same set of values, and help each other identify what our priorities are!"

    Pacific Northwest Ballet principal dancer Olivier Wevers as the evil Carabosse, and principal dancer Carla Körbes as the Lilac Fairy in Ronald Hynd’s The Sleeping Beauty.  Photo © Angela Sterling.
    Pacific Northwest Ballet principal dancer Olivier Wevers as the evil Carabosse, and principal dancer Carla Körbes as the Lilac Fairy in Ronald Hynd’s The Sleeping Beauty. Photo © Angela Sterling.

    This Valentine's Day, Olivier will be up to his eyebrows in "Work, work, work!" However, the pair does have a quiet, relaxing getaway planned. "On Sunday, I will be performing a Duke in the Sleeping Beauty with PNB at 1pm, and then driving like a mad man to get to Bellevue. FRAGMENTS is being performed at 3pm at the Meydenbauer center. {This is for Whim W'him, Olivier's new company.} Then after that, I am meeting with a videographer to get the DVD ready from the 3Seasons to send to presenters, Directors, etc. So quite a busy day, but finishing with packing for beach, sun and margaritas! (We're) leaving for Mexico for a week without a computer or cell phone!"

    Pacific Northwest Ballet principal dancers Lucien Postlewaite and Kaori Nakamura as Prince Florimund and Princess Aurora in Ronald Hynd’s The Sleeping Beauty.  Photo © Angela Sterling.

    Now that sounds like my kind of holiday!

    You can catch Olivier and Lucien performing at McCaw Hall this week in Pacific Northwest Ballet's, The Sleeping Beauty . More information about upcoming encore performances for Whim W'him can be found by visiting WhimW'Him's website.

  • Director's Choice, Pacific Northwest Ballet

    The Seasons, Pacific Northwest Ballet's Director's Choice
    Pacific Northwest Ballet soloist Lesley Rausch in the world premiere of Val Caniparoli’s The Seasons, presented as part of DIRECTOR’S CHOICE, running November 5 – 15, 2009.

    From the theater staff to the attendees to the performers, the excitement of opening night was unmistakable. Pacific Northwest Ballet’s introduction of two brand new pieces and a replay of two favorites translated into an evening to remember...

    Pacific Northwest Ballet, DIRECTOR’S CHOICE, running November 5 – 15, 2009.
    All Photographs © Angela Sterling.

    Petite Mort

    The night began with Petite Mort, (French for “The Little Death” and a metaphor for sexual climax), the first work by European choreographer Jiri Kylian to be acquired by Pacific Northwest Ballet. With six men, six women, and six foils the piece has been described as exuding energy, silence, and sexuality. It does just that.

    Petite Mort starts with six men facing upstage backing slowly toward the orchestra pit in silence. The stillness is broken at first only by the sound of the swords cutting through the air. The men partnering with their swords create a dangerous tension and excitement. The choreography plays between the men, the swords, the women and dark, baroque style dresses. These dresses, at times, appear to dance completely on their own. There are some light hearted moments with the foils and the dresses that allowed the audience a laugh and provided a needed respite.

    A special treat in this performance included partnering between two of the company’s married couples: Seth Orza and Sarah Ricard Orza and Lindsi Dec and Karel Kruz. In the sensual pas de deux, these real-life married couples, along with principal dancers Lucien Postlewaite and Kaori Nakamura, showcased both precision in movement as well as emotion.

    I look forward to more pieces from this brilliant choreographer.

    The music (Mozart’s Piano Concerto in A Major - Adagio and Piano Concerto in C Major – Andante) also warrants special mention. With the resignation of Maestro Stewart Kershaw, Allan Dameron is acting Music Director and Conductor. Dameron performed masterfully as both pianist and conductor for this piece.

    Mopey

    This 14-minute male solo of “adolescent meltdown” was first performed by PNB in 2005. The cult classic, performed by soloist, James Moore was pure perfection.

    Moore’s fluidity of movement demonstrated both his raw strength and masculine grace. The agony of the journey from boy to man with all of the temptations and mistakes made along the way was nothing short of mesmerizing.

    For three perspectives on Mopey, see seattledances blog interview with James Moore and two other dancers cast for this run, Soloist Benjamin Griffiths and Principal, Jonathan Poretta.

    The Seasons

    This was the world premiere of The Seasons, choreographed by Val Caniparoli. The Seasons is a balletic allegory of the four seasons danced to the music of Alexander Glazunov (Op.67, 1899). The Seasons is served up against a simple and very striking set and presented with innovative costume design. Both set and costumes were designed by Sandra Woodall. I cannot even begin to describe the brilliance in executing these costume design concepts. Check out this video posted by PNB as a special thanks to the costume shop for a taste:  PNB's The Seasons Costume Preview.

    The Seasons opened in winter and it appeared that it was snowing stars. Thus the magical blend of contemporary and classical ballet began. There were delightful gnomes lighting fires to melt the snow and change the scene to spring. Kaori Nakamura as the Swallow truly took flight—both on her own and with the aid of the Zephyr, Lucien Postlewaite. You could see the fun and frolic in Barry Kerolis as a faun. With its cast of birds, satyrs, fauns, flowers and gnomes, this piece has something for everyone.

    West Side Story Suite

    West Side Story is an abbreviated version of the musical of the same name. Choreographer Jerome Robbins (along with Peter Genarro) extracted this sequence of dances originally for the New York City Ballet in 1995.

    This piece is just plain fun and allows the dancers to try their hand at singing and showing off a completely different style. Principal, Carla Körbes was a delight as the spunky, Anita seeming to be transformed both in looks (her blonde hair covered in a dark wig) and technique.

    PNB’s Director’s Choice runs from November 5–15, 2009.
    Don’t miss it!

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