Whim W'Him's 3Seasons, Kaori Nakamura

Olivier Wevers and his newly formed company, Whim W’him have done what no other dancer, choreographer or company has done before. The Seattle-based tour de force has shattered the glass barricade that once stood as the dividing wall between the world of ballet and the realm of modern dance, ushering in a new era of collaboration and artistry.

Whim W’him’s sold-out performances at On the Boards this past weekend packed an intoxicating punch of sound, light and movement. The triple bill featured Wevers previous works, X-Stasis (PNB’s Choreographer’s Showcase 2006) and Fragments (Spectrum Dance Theatre 2007), as well as the world premiere of 3 Seasons, Wevers first major collaborative effort.

X-Stasis

X-Stasis is comprised of 5 couples making a unique statement about their world and their relationship to one another. Standouts from this performance include Jonathan Poretta and Lucien Postlewaite’s pas de deux which sizzled with poetic tension. Their execution was both complimentary and contradictory; a raw, edgy rendition of the proverbial yin and yang.

Whim W'Him's X-Stasis, Jonathan Poretta & Lucien Postlewaite

Chalnessa Eames dazzled in a delightful piece that felt a bit like an avant-garde rendition of Coppelia. Let’s just say her partner, the helpless mannequin, was no match for her seductive charms!

Kaori Nakamura and guest artist, Karel Cruz (PNB Principal Dancer) were utterly spectacular. Their pairing was exuberant, crisp and well-balanced; the perfect blend of power, delicacy and joy.

Fragments

Fragments begins with a sweeping aria playfully mimicked by an amusing pair of friends. Kelly Ann Barton’s (Spectrum Dance Theater) and Vincent Lopez’s movements were light, fluttering, and beautifully in sync. Together they encompassed all that is childlike and well–whimsical, from their “twittering” hip rolls, to their playful dashing about the stage.

Whim W'Him's Fragments

Following the playful antics, Vincent Lopez gave a commanding solo performance as a tortured soul, longing and yearning to be free. Moving effortlessly through a series of well-crafted poses, Lopez is transformed into a living sculpture, relishing in its temporary freedom. Costumes by Christine Joly de Lotbiniere provided a delicious hint of Baroque flair, while Michael Mazzola’s thoughtful lighting cast the entire piece in a distinct, Renaissance glow.

Last but not least, was 3 Seasons.

Never have I seen such a decisive take on our modern world that fused together the elements of style, wit, humor and hope so beautifully.  In fact, I have a feeling that this piece will serve as the springboard by which all other collaborative efforts will be judged, and provide Whim W’him with a prominent position in the annals of dance history.

The musical score consists of Vivaldi’s Four Seasons paired with a live corresponding movement by Byron Au Yong, which was nothing short of perfection. The tinkling of a toy piano, the hum of the violin and gentle percussion created a fun, exciting, youthful energy.

Designer Michael Cepress’ vision of pairing vibrant splashes of red on ruddy, human earth tone canvasses provided the perfect backdrop for this piece. The use of his re-designed sculptural collars, wire hanger skirts, and sullied leotards made for a stunning artistic display.

3Seasons

Jim Kent’s portrayal of the covetousness of human nature was thrilling. The object of his desire changes with whatever is put before him; a pillow, a lamp, a keyboard to finally a bird cage, which has to be placed on his head because there’s no more room in his hands. Kent—like society itself—is never content with what he already has, and is continuously seeking, grasping, and vying for more. The act was played for humor which the audience responded with more than a few “been there, done that” laughs.

Kaori Nakamura is used, abused and finally discarded and yet—she still manages to come out looking like the victor. Her stage presence leaves its own indelible mark of beauty behind.

Chalnessa Eames was effervescent and sensual. Vincent Lopez was completely brilliant and charming. Jonathan Poretta and Lucien Postlewaite were riveting, powerful, dominating, and fierce.

Ty Alexander Cheng and Kylie Lewallen were saucy, flirty and breathtaking. Their endless kiss reminded me of a pair of butterflies; lips locked with wings (arms) continually unfurling yet never intertwining.

Hannah Lagerway and Lucien Postlewaite writhed about in geometric splendor. I was impressed with Postlewaite’s skillful control and Lagerway’s incredible range. Indeed, her presence within this company is the icing on the cake.

With everything this company has going for it—excellent dancers, respected Artistic Director, dedicated fan base, and a growing list of collaborators—Whim W’him stands poised on the edge of a divine precipice, ready to be launched into the stratosphere.

Congratulations to you, Mr. Wevers and to your talented team of artists.

Viva Whim W’him!

by Denise Opper

Media Relations:  Vala Dancewear / Class Act Tutu

All photos © LaVie Photography.  For more amazing photos, visit the LaVie photo blog.

Pacific Northwest Ballet’s Nutcracker Head (design by Maurice Sendak)

Herr Nutcracker was found at 8 am this morning, disoriented and clinging to life on the floor of a darkened room at an undisclosed location on Mercer Street, weakly muttering “Ich habe dir vertraut elender Verräter”. While being carried into the waiting ambulance he began screaming “Ich schwöre bei Gott Clara, ich werd…e ihm die Hoden abgeschnitten”. He managed to squeek “Ich bin allergisch gegen Nüsse” before he was quickly sedated by emergency personnel, then air lifted to the CJDL Design facility where he was rushed into the emergency room. Unresponsive and in severe critical condition, he is being stabilized in preparation for surgery.

Dr. Drosselmeyer confirmed that Herr Nutcracker has sustained serious injuries. He suffers from a fractured skull and has been scalped. In what seems to be a botched lobotomy, parts of the frontal and parietal lobes are missing. His left ear has been ripped off and the police, as well as the postal service, are on the lookout for a small box with no return address. His lower mandible is severely dislocated and chunks of his beard and mustache have been pulled out. The entire lower portion of his body is missing.

The surgeons will be operating over the next 36 hours but his diagnosis is grim. We will keep you posted on this troubling situation.

by Christine Joly de Lotbiniere

CJDL Design